How long is it, and what does it cost?

The Electronic Music Producer Program runs 120 hours. Ask admissions at Garnish London for the current dates and tuition.

Can I take it online?

Yes. The Electronic Music Producer Program runs in person at Garnish London and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.

What is the programme?

A 120-hour Electronic Music Producer Program with one-to-one mentoring, for producers who want a real understanding of electronic music production - taught in small groups by industry-active instructors.

What do I leave with?

Finished records, and a certificate that says where they came from.

Is there a one-to-one version?

Yes. The Electronic Music Producer Program can be taught one-to-one, in person in London or online, built around your own projects - ask admissions about private instruction.

Ableton Electronic Music Production Program

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Electronic Music Producer Program | London

Course — London

At a glance

Duration

120 hours

Format

In-person in London or Live Online

→Ableton Live
→Sound Design & Synthesis
→Music Foundations
→Mixing & Mastering

London is where Garnish began, and the Electronic Music Producer Program here is taught by producers working in the city's studios, clubs and labels. Groups are small, classes are hands-on, and the same course runs live online for students elsewhere in the UK and Europe, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.

Ableton DAW

→Mixing Basics, Grouping and Routing
→Auto Shift
→Session and Arrangement View, Workflow and Warping Basics
→Warping Loops and Using the Browser
→Intro to Simpler and Drum Racks
→Drum Sampler
→MIDI Recording of Melodic Instruments
→Scales, Key and Tuning Systems
→MIDI Generators and Transformations
→Mapping for Remote Control
→Audio and MIDI Effects and Racks
→Using Third Party Plugins
→Recording Audio and Warping Full Tracks
→Comping: Take Lanes
→Stem Separation

Advanced Ableton

→Waveshaping with Roar: Saturation, Dist
→Sampler: Mapping Key and Velocity Zones, Looping
→Sampler: Filter, Drive and Shaper
→Sampler: AUX Env and LFOs
→Granular: Creative Time Stretching
→Granular: Beat Mode, Warping Using Quantized
→Granular: Grain Delay
→Granular: Granular Synthesis with Granulator III
→Granular: Filter, Modulators and Capture
→Additive synthesis: in Operator
→Creative Audio Effects: Shifter
→Creative Audio Effects: Resonators
→Creative Audio Effects: PitchLoop89
→Spectral Resonator and Spectral Time
→Hybrid Reverb
→M4L Devices: M4L Modulators
→Sub: Waveforms and Harmonics, Sine
→Sub: Ableton’s Analog: Oscillators
→Sub: LFO, Polyphony, Unison and Glide
→Pulse Width Modulation and Serial Filtering
→Drift: Subtractive, Done Properly
→FM: Intro to FM
→FM: Ableton’s FM synth: Operator Overview
→FM: Algorithms, Filter
→FM: Making FM Drum Sounds
→Wave: Wavetable Categories
→Wave: Auditioning Wavetables Using an Envelope
→Wave: Oscillator Effects
→Wave: Multiple Filters with Different Routings
→PM: Physical Modeling Synthesis
→PM: Collision and Corpus: Sound Design
→PM: Tension
→Filter, LFO FX and Modulation Matrix

Mixing & Mastering

→Reverb
→Delay
→Phaser and Flanger
→The Vocoder
→Modulation
→Vocals
→Automation: Mixing as a Performance
→More Creative Mixing Techniques
→Mixing Electronic Music
→Mastering
→Choosing Monitors
→Monitor Placement
→Acoustics: The Basics
→Signal Flow
→Mixing Desk Basics
→Basic panning techniques
→Mid/Side and Stereo Width
→Equalization
→Filtering
→Dynamics

Mentoring

→20 hours of working on your music in class!

Testimonials

In our students' words.

“Being from a songwriting and artist background, I was keen to learn the production side. The instructors were amazing, and I felt they explained things in a language I could understand. Now I am zipping around it almost as comfortably as I am when writing a song!”

Natasha Bedingfield