Open House
In our students' words.
“I can’t believe how much better my mixes sound now I’ve done the mixing & mastering course”
Toby Tobias
Instructors
Ready when you are.
InquirePete Waidson & Michael ‘The Fox’ Gleeson – Toolroom records release
In January Garnish Music Production School learners Pete Waidson (Mixing course) and Michael 'The Fox' Gleeson (Ableton course) had their first release on Toolroom Records entitled 'Interferon' which had huge support from label boss Mark Knight, as well as regular plays from Stefano Noferini, A
Read →Which DAW is better – Logic, Pro Tools, FL, Ableton or Cubase?
When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Ableton Live Dry/Wet Knob
Some Ableton effects have no dry/wet control. Here's how to build one with an audio effect rack, two chains and a mapped macro knob.
Read →Navigation Basics for Logic Pro
A ground-up tour of the Logic Pro control bar - the Library, Inspector, Smart Controls, Mixer and Editors - with a demo project to practise on.
Read →Music Tech School | Music Tech Teachers London
Music technology training in London, taught by people making records at a high level themselves - from DAW beginners to mixing and sound design.
Read →Creative vs. Technical
Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
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