Mixing Music with Creative FX | Mixing Desk by Mr Steve Powell The signal chain is something always at work whether you’re in the studio, playing around with beats on the computer at home or playing a synthesiser live at a gig. If you are purely a performer, your worry with the signal chain ends whe
Read →Mastering Tips for Beginners By Katie Gilchrest Every stage of the recording process matters, but a crucial point for adding continuity, balance and refinement is in the mastering. Mastering wraps up a production, providing flow between tracks, congruous volume levels, and consistent playback on all
Read →Without question the best nightclub in the country, Fabric celebrate their 15th birthday this month with a two day party that is sure to see a few people slumped at their desks on the Monday morning!
Read →A Logic user's take on learning Ableton Live - why it gets results faster, and how the two work together when rewired.
Read →In January 2013 Garnish Music Production School learners Pete Waidson (Mixing course) and Michael 'The Fox' Gleeson (Ableton course) had their first release on Toolroom Records entitled 'Interferon' which had huge support from label boss Mark Knight, as well as regular plays from Stefano Noferini, A
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
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