
London is where Garnish began, and the Pro Tools here is taught by producers working in the city's studios, clubs and labels. Groups are small, classes are hands-on, and the same course runs live online for students elsewhere in the UK and Europe, using our specialist music collaboration software, Muse.
“A nice relaxed working environment and detailed, in-depth working practices. I really got a lot from this course and answered a lot of questions I had about sound engineering processes in Pro Tools.”
Paul Tilley
Comping, tone control, mic modelling, de-popping, pitch correction, compression, reverb and delay - the full vocal chain, start to finish.
Read →Anyone who does an audio mixing course should experience life 'out of the box'. Not only is it fun to have a play on a load of real analogue kit, we believe that your mixes in the box will benefit from this experience. Victor balancing up a backing track on the Neve. It is a different art and most o
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Why room shape changes what you hear, what standing waves do to your low end, and what RT60 means for a small studio.
Read →Reverse effects, distortion, miced amps and the practical side of sample clearance - what it costs and how to avoid needing it.
Read →Now we have an environment that isn’t coloring what we hear we can start to look at how we can improve the mix itself.
Read →