
“As a songwriter/producer I relied heavily on engineers for recording and mixing if I wanted to get my tracks sounding like masters. I always wanted to do more myself but struggled to learn anything watching an engineer zip around Logic or Pro Tools at 1000 mph! Then I found Garnish School of Sound and did their Mixing and Mastering course. It was exactly what I needed, we covered everything I was unsure of in the past from using buses properly, EQ, audio compression and using specialist mastering plugins. Everything was explained and demonstrated in a way I understood. I never thought i'd ever be able get such great sounding tracks doing everything myself.”
Ben Cullum
Recording vocals: DIY vocal booth and pop shield or pop filter: This is about how I record vocals at home with a DIY vocal booth. We cover more on this on the Sound Engineering course. I have a macbook pro plugged up to an apogee duet, pop shield or pop filter, some cables running from my dining roo
Read →A harmonious combination; new places, new people, new ideas and new sounds in different lands that present their own rhythms and culture can stir up something good in a natural and genuine way when recording while traveling. The perfect time to try new things, tune your ear, hone your craft, become
Read →What a vocoder actually does, the difference between carrier and modulator, how filter bands work, and how to sit one in a mix.
Read →How to EQ Vocals Katie Gilchrest's guidelines on how to EQ vocals. For most styles of music, vocals are one of the most important parts of the mix. Poorly EQd vocals can cause detriment and distraction to an otherwise great song. Equalization using a parametric EQ is a tool that can allow vocals to
Read →Drum Miking Techniques: Recorder Man and Glyn Johns Katie Gilchrest's take on drum miking techniques Many considered the drum set one of the hardest pieces of equipment to mic in a studio. A drum kit is not one instrument, but a collection of multiple instruments, featuring a wide variety of differe
Read →Chambers, springs, plates and digital reverb - what each parameter does, and how to place a sound in a space without drowning the mix.
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