
“I can’t believe how much better my mixes sound now I’ve done the mixing & mastering course”
Toby Tobias
Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
Read →Getting your hi-hat game tight: fast rolls and stutters that stay musical, done quickly enough to keep the fun in it.
Read →A Kontakt instrument built from struck and bowed metal - ethereal textures and tonal percussion, with a Forge morph knob for blending presets.
Read →Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →Creative EQ Tips by Katie Gilchrest Generally, engineers use equalization (EQ) in one of two ways: corrective or creative. If there is a problem in the recording, perhaps a dull sounding room or sample, it is acceptable to use EQ to brighten up the sound. Sometimes poor mic placement or room modes i
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
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