
“I can’t believe how much better my mixes sound now I’ve done the mixing & mastering course”
Toby Tobias
Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Devious Soul interviews DJ/Producer Bodyjack (formerly Chris Finke) UK DJ & producer Chris Finke joined us for a little bit of a Q&A to find out a bit more about his latest moniker ‘Bodyjack’. A former UK DMC finalist and resident at techno institution Atomic Jam, Chris has been around the dance mus
Read →Whilst sitting reading the latest music news in Garnish HQ, it became more and more apparent what a special year 1994 was for British dance music. With so many clubs, labels and promotions celebrating 20 years in the game during 2014, it’s pretty obvious that something special was stirring in the wa
Read →DJ Tips for Beginners – by Devious Soul Back in the day, when dinosaurs roaming the land, all DJs needed to land a set were serious skills, a bunch of great records and a decent demo tape to wow promoters into booking them. How times have changed, thanks in no small part to the internet and the chan
Read →Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
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