Capture retroactively records the MIDI you just played, so an improvisation you never hit record for isn't lost. How it works, and its limits.
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →How to Develop Your Sound Creating a sound that’s unique to you is vital to your career as a musician, or producer. Not only can one say this from an artistic standpoint, but you can say this from a place of branding, too. Every artist should seek to develop a style that genuinely makes them stand o
Read →Devious Soul shares his thoughts on the best portable speakers on the market There once was a time when the above contraption was the only way to make your sounds loud and portable but let’s face it; the 'boom-box' was a pretty cool piece of kit! Alas, as technology has advanced over the years and e
Read →Sound design in Ableton's Wavetable synth - slow amp envelopes and free-running LFOs that keep the texture moving.
Read →How Garnish's Logic Pro classes are structured week by week - from what a DAW is, through synthesis and recording, to finishing a record.
Read →